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When to know you're being complimented

When to know you're being complimented

The Art of Adventure - Bruce Percy

I don’t take compliments very well. There’s something in my upbringing, or perhaps in being Scottish, that prevents me from glowing in any form of adulation. It is something I personally abhor - anyone seeking kudos of any kind in my book, needs to be avoided. Because those that are genuine, do whatever it is they do, because they can’t not do it. You don’t do something for praise or reward, you just do it because it’s part of who. you. are.

I don’t wish to be anyone else either. I just think the best thing we can all do is be ourselves. Sounds easy, but how many folks do you think you know who are busy trying to ‘not’ be themselves? Trying to find something else that is far removed from where they are?

Fjallabak-Sept-2017-(12).jpg

As I’ve grown older, I’ve come to realise that my past is so important to me. The friends I have, some of them since I was at high School, are so important to me, because we share something that cannot be bought at any price: memories, a past, a sense of ‘where we come from’.

This week I was in Iceland, and I bumped into Daniel Bergmann. He’s a well known Icelandic photographer. Daniel has worked as a photographic guide for a long list of well known landscape photographers over the past few decades. And I have a tendency to bump into him when I am out in the landscape.

Compliments, if they are genuine, tend to come at you when you least expect them.

I was sitting in the Highland centre, just off the F26 highland road when Daniel said ‘we should award you honorary Icelandic membership’. I hadn’t been fishing for a complement, but it meant a lot to me when he said it. I have never wanted to be anyone else but me, and I am extremely proud of being Scottish. As I’ve grown older I have realised that my roots, my past, and my parent’s roots are very important to me. I feel more Scottish now than I did when I was younger (I think that finding importance in our past and roots becomes more important as we get older).

But I do love Iceland, and I have found some kind of aesthetic affinity with the landscape there. So when Daniel gave me his complement, it resonated with me. I think he is ether just good at figuring out people and knew that this is what I would like to hear, or in more probability, saw me as someone who had been working the Icelandic landscape for a long while.

It has been 17 years since i first went to Iceland. My relationship with the landscape there has grown over the years and the country has had a lot to teach me about luminosity, tone, blacks, and how weather is so important in working with landscapes.

I think Daniel was sincere. I hope he was. Because I really took his comment entirely as an acknowledgment. I know i’ve worked hard over 17 years with the Icelandic landscape. For some reason it has been something that I could relate to. It is not too distant from Scottish scenery, but it can be more stark, more ruthless, more raw perhaps. Scotland is an old landscape while Iceland is a relatively new one in geological terms, but if I were able to go back in time far enough, Scotland wouldn’t be so far from what we see in Iceland.

In my heart, they are kindred brothers.

Thank you Daniel.

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Assynt February 2022 Workshop

Assynt February 2022 Workshop

The Art of Adventure - Bruce Percy